Showing posts with label Cultural. Show all posts
Showing posts with label Cultural. Show all posts

Saturday, June 23, 2012

Haji Lane, Singapore


Haji Lane is a small-scale shopping in Singapore‘s hidden retail destination. Singapore has enormous, glittering shopping malls in and around Orchard Street which are wall-to-wall major-brand retailers, the stuff of a shopaholic’s dream. Anyway for those seeking something more intimate, the indie boutiques on Haji Lane are far from the roaming mall rats. Beautiful boutiques showcase rising Singaporean designers, as well as other designers from Asia and beyond, lining a narrow, backstreet of the tranquil Kampong Glam area – also known as the Arab district.


Don’t miss stores on the second floors of the charming shophouses; look out for mysterious flights of stairs through doorways at street level because you might just find find a new little world at the top of them. United Label is a wonderful shop, a womenswear brand by a Thai designer living in Singapore, as well as a selection of adorable stationery culled from around Asia. Near the entryway a staircase leads to a floor stocked with clothes from different labels. There are a few racks of items that have been majorly discounted, while others are dedicated to items like delicate, screen-printed tees.


At one end of Haji Lane is Soon Lee (no. 73), which stocks a mix of chic womenswear, accessories and lifestyle items from Hong Kong, Korea and even the Philippines. The boutique’s size (basically two shophouses combined into one) gives way to a large selection for browsing. Balancing out the shopping element, a few cafes and rest stops provide a place for breaks. A Thousand Tales (no. 55) is an all-in-one art gallery, cafe, bar, restaurant and furniture complex. While the menu next door at Bar Stories (no. 57A) sells drinks like mojitos and caipirinhas, visitors are invited to ask the bartender to make something special for them. The Scandinavian-inspired furniture is used as seating for patrons, who can buy it right there if they like it enough.


Pluck (no. 31/33) focuses more on housewares, but the cafe inside offers a revolving selection of homemade ice cream in a variety of flavors. The standouts are the Asian-inspired flavors, such as green tea with red beans or cashew-infused yogurt. There are also flavors made with alcohol, like the refreshing lychee martini.

Museum aan de Stroom


The MAS is an impressive building with a museum, among other things. Because it is also the visible storage, the museum square with Luc Tuymans’ mosaic, the boulevard, the rooftop panorama, etc. The MAS is a total experience. Nowdays, Antwerp has its own iconic piece of museum architecture and it’s poised to make the medieval Flemish town a global destination. The Museum aan de Stroom opened last weekend to an estimated 100,000 visitors, including the Belgian royal family.


The MAS brings together the collections from the former Etnografisch Museum, the Nationaal Scheepvaartmuseum and the Volkskundemuseum. They are given a new home in the MAS along with part of the Vleeshuis Museum collection and the Paul and Dora Janssen-Arts collection. The collections are spread over four floors and are not displayed side by side. The pieces are connected through a dynamic scenography on the different floors. They don’t just impart information. They tell stories, they endure, they are actors in an ever-changing play.


Once Antwerp was a harbor village with a massive port more than seven times the size of its commercial center. In the 1600s, the city was the seat of the Dutch superpower, establishing the nation’s merchant status for centuries to come. Today, Antwerp belongs to Belgium and it’s still a city defined by its watery borders. And it’s there, just off the River Scheldt between the historic city center and the up-and-coming industrial neighborhood het Eilandje, that the MAS Museum steps into its starring role.


With this museum, Antwerp got a a striking ten-story monolith of stacked boxes in alternating red Indian limestone and undulating glass. The architects, Neutelings Riedijk from Rotterdam, rotated each level 90 degrees, allowing the escalators to ascend around the perimeter of the museum. The effect is a moving viewing platform affording wraparound views of the city, from the Gothic Cathedral of Our Lady to the domed Centraal Station to the grittier docklands and warehouses in the immediate vicinity of MAS.